I wanted to focus on transformation in my approach, and drew from the objects and materiality of each play. In both, the setting takes a central role in the telling of the story. Alcina takes place on a magical island, with characters often turned into aspects of the landscape. The Sofa details the experiences of a man transformed into a sofa for his sins. So the solution became physically merging the settings and objects of both plays to create a fantasy, textile landscape.